{"id":5559,"date":"2020-06-28T08:38:28","date_gmt":"2020-06-28T06:38:28","guid":{"rendered":"https:\/\/spacehasen.com\/?p=5559"},"modified":"2021-09-09T08:45:02","modified_gmt":"2021-09-09T06:45:02","slug":"recording-session","status":"publish","type":"post","link":"https:\/\/archive.spacehasen.com\/en\/music-en\/recording-session\/","title":{"rendered":"Recording Session"},"content":{"rendered":"

[vc_row][vc_column][vc_video link=”https:\/\/vimeo.com\/223890182″][vc_column_text]<\/p>\n

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Bernhard Philipp Eder and the Tonzauber Studio Orchestra during the recording session at the Tonzauber Studios (Vienna Konzerthaus).<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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The search for suitable music began at a very early stage of the Spacehasen project with high demands on the composer – after all, he was supposed to orientate himself on compositions by Erich Wolfgang Korngold, Mikl\u00f3s R\u00f3zsa, Jerry Goldsmith and John Williams.<\/p>\n

In 2012 Clio Montrey composed the first musical impression for clarinet, bass clarinet, horn, harp, violin and double bass based on a still very vague plot. A version for cello and piano followed in 2014 (released digitally as: “Clio Montrey, Spacehasen, feat. Liina Leijala”).<\/p>\n

For scheduling reasons, Bernhard Philipp Eder was commissioned with the composition in 2015. When I heard a first taste of his talent, the recordings for his latest film score “Daydreamer”, I was completely convinced that Bernhard would be up to the task.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Pictures from the recording session<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_media_grid element_width=”2″ grid_id=”vc_gid:1513153315829-1f357e70-5496-3″ include=”1420,1514,1418,1401,1398,1397,1396,1394,1395,1393,1392,1389,1388,1387,1386,1385,1384,1383″][vc_column_text]\u00a9 Photos courtesy of Norman Vaughan<\/i>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Bernhard Philipp Eder and the Tonzauber Studio Orchestra during the recording session at the Tonzauber Studios (Vienna Konzerthaus).<\/p>\n","protected":false},"author":1,"featured_media":1928,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[137,141],"tags":[],"class_list":["post-5559","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-music-en","category-video-en","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/archive.spacehasen.com\/en\/wp-json\/wp\/v2\/posts\/5559","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.spacehasen.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.spacehasen.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.spacehasen.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.spacehasen.com\/en\/wp-json\/wp\/v2\/comments?post=5559"}],"version-history":[{"count":5,"href":"https:\/\/archive.spacehasen.com\/en\/wp-json\/wp\/v2\/posts\/5559\/revisions"}],"predecessor-version":[{"id":5564,"href":"https:\/\/archive.spacehasen.com\/en\/wp-json\/wp\/v2\/posts\/5559\/revisions\/5564"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.spacehasen.com\/en\/wp-json\/wp\/v2\/media\/1928"}],"wp:attachment":[{"href":"https:\/\/archive.spacehasen.com\/en\/wp-json\/wp\/v2\/media?parent=5559"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.spacehasen.com\/en\/wp-json\/wp\/v2\/categories?post=5559"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.spacehasen.com\/en\/wp-json\/wp\/v2\/tags?post=5559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}